No, we ain't dead!

Things have been a bit quiet in the GovAccessMusic cave, but they promise to start heating up (a good thing, since it's about to get cold down here in the South).

The big news of the moment - we've changed our pricing, and have significantly increased the discount you get when purchasing an entire album. Swing over to the Cart and check it out!

Boring but Necessary - license & terms of use

We've posted the official License and Terms of Use on the main website.

Here's the totally-unofficial-Plain-English explanation:

These tracks are for use in "background" types of applications - background music behind a powerpoint thing running on a Government or Publis Access station, for example. In this type of usage, the tracks are truly "royalty free" - meaning that you never have to buy another license.

However, you might find a track (or several, we hope!) that would be PERFECT for use as your theme song. In that case, please contact us. That usage would require a different license and pricing. It isn't a huge deal - we just prefer keeping all the ducks lined up correctly!

If you are looking to use our tracks in an educational setting (elementary, secondary, or higher education)  - contact us! We're both teachers, and firmly believe in educational pricing.

In terms of Customer/Client information (names, purchases, email addresses, etc) -

• We don't give it away.


• We don't sell it.


• To Anybody.

(unless a US court orders us to do so. We'd rather stay in the studio and out of jail.)

You can read the entire thing here, if you'd like.

More music coming soon!

5 new tracks posted!

Tom has contributed Another New Ager in the Calmness section and Birthday Jelly in Up Piano.

(Yes, it is a pun - referring to some jamming he did on his birthday a while back.)

We've also added some tracks from Joey - Morley Magic, Scratch That Itch, and Whistle While You Work It (featuring an incredible jazz whistler named Francesco Bonifazi). All of these tracks are in Light Jazz. Click on the links, check out the podcast, and enjoy!

GovAccessMusic.com - Quality, Interesting, Royalty-Free music especially designed for use by Government and Public access cable TV channels.

Here's a Low-Cheese-Factor freebie for you

To celebrate.....uhhhhh...... Friday (why not?) here's a free ringtone from a GovAccessMusic.com track for your cell phone. Don't forget, your carrier may charge you something - depending on your cell plan (but we can't do anything about that!).

This is Sunday Brunch, from the Light Jazz album on GAM.

Senate Records at Myxer

Coming soon: episode 2 of the podcast / vodcast

We've been hard at work getting several new tracks ready to post on GovAccessMusic.com but it IS summer, and vacation is beckoning!

Now, granted, I'm not going to be thinking about any of that while strolling the streets of Savannah, GA - but I certainly will get back to it after vacation.

So what's coming? Some guitar work by Joey, plus some new piano-based music by Tom.... all of it different from the tracks already posted on the site.

So keep an eye out - we'll (of course) post on this blog when the new podcast is up.....or you could subscribe and receive it automatically. Check the link on the main site at GovAccessMusic.com.

What kind of music?

So what kind of music should you use on your Government Access or Public Acccess channel?

(Anything from GovAccessMusic.com, of course!)

I'm sure you'd like something a bit more useful, so here are some thoughts:

1. Match the style of the music to your content. You probably shouldn't use uptempo edgy guitar music for screens describing disaster preparation procedures -  and real slow meditative tracks don't work for pictures of graduation ceremonies or school activities.


2. Match the time of day as well - uptempo might work in the morning (to pep people up), but then again it might be annoying for those who wake up slowly.


3. Variety is good - but within limits. It can be jarring when successive tracks vary wildly stylistically or in instrumentation. For example, going from a slow vibraphone piece directly to a hard rock guitar-driven piece probably won't work - UNLESS you are doing it to grab attention that something just changed (like going to a new program).


4. I personally like using Christmas music during the summer months. It's a nice reminder of tunes that people realy do like, but are dreadfully tired of by December mainly becuase the radio stations have been playing Christmas music since mid-October).

So do you have any suggestions? How do YOU decide what music to program? Leave a comment, and we'll probaly write about it later!

Previews & File Formats

We had a question about the Previews you listen to at GovAccessMusic.com - and one about the file format we are using for the tracks you purchase.

Previews

Some library sites you visit give you a standard 30 second preview and others let you hear the entire track. We decided there were disadvantages to both approaches - 30 seconds won'tlet you hear the various sections of the track, but our clients probably don't have time to listen to all 3 or 4 or 5 minutes of the full track.

So our previews are an edited version of the full track - each contains snippets from the major sections of the track, so you get a full representation of the track. Previews are created from the full track, and generally run between 1 and 2 minutes long.

File Format

We are using high bitrate mp3s for the downloads - generally 256kbit - 320kbit. As musicians, we are aware that mp3 (no matter how high the bitrate) are sonically lower quality than CDs - but we have found them good enough for these purposes.

If you are interested in CD quality, please accept our compliments for being concerned about your audio......and keep an eye out for the CDs we'll be offering in the near future!

We're open!

The cart has been designed, the Paypal API has been fed and watered, the hamsters in the web server have all been checked out - and GovAccessMusic.com is [finally] open for business!

We've been really busy in the last few months getting the nuts and bolts together - and still have a few to nail down. But for now, you have 30+ tracks to choose from or ORIGINAL music, and most tracks are over 3 minutes long.

We'll be adding new material constantly as the months go by. Everytime we do, we'll be announcing on the blog, AND posting samples on the podcast. So save yourself some time - go ahead and subscribe to the blog (there's a link at the bottom of the left sidebar) and you might as well subscribe to the podcast as well (there's a link to do that up at the top of the blog).

You can subscribe using iTunes, or any of the web-based "podcatchers" like Odeo or Yahoo.

Huh? Royalty-free? What does THAT mean?

I recently had someone ask what the big deal was about "royalty-free" music, and exactly what that meant.

In this post, a bit of background (disclaimer: I'm not a lawyer, so this isn't legal advice). This may sound a bit idealistic, but here goes anyway:

Copyright law basically says that the creator of a work owns it - and he can then rent it out, sell it outright, give it away, etc - but only the OWNER of a work can do that. (I know - lots of people out there who believe otherwise, but they are wrong). The advantage is that creators of works (music, art, etc) potentially benefit financially. The more money you make in your art, the more motivated you are to create more - it's the basis of capitalism.

Another right granted by the lawmakers is something called "public performance" - i.e. the writer has the right to be paid everytime there is a public performance of their work. A public performance takes place anytime the work is played at all - whether streamed off the internet, played off a CD, played on the radio or satellite radio, etc. So officially anytime you use a piece of music you owe somebody some money.

There are several types of library music available, in terms of licenses:

• A "needle drop" license means you fill out a form and send some money everytime you use a track. This can obviously be a real hassle when you run a government access or cable access channel and need background music 24x7.


• "Royalty Free" music means that you buy a permanent license to play the music whenever and wherever you need it (depending on the license you agree to when purchasing the music. Some of the licenses restrict what you can do). Note that you can't do absolutely anything with that music - you just don't have to pay a usage fee everytime you use the track. This type of license can about in reaction to the "needle drop" licenses. Traditionally,royalty-free tracks were of a lower quality (in terms of the music and/or the audio quality). This is not as true anymore.


• There are some hybrid licenses out there. For example, some companies make their music royalty free for certain uses, but require a different license if the track will be used in broadcast media. This is not an evil thing - just a business decision. It is something you need to watch for when purchasing library music.

Website news

We are getting closer to launching the site. Behind the scenes a shopping cart has been installed and wea re working on making it fully functional. At the start we'll be using PayPal to process payments, and the files will be available for immediate download.

Later we'll be adding the ability to order CDs with custom designed playlists - the idea being you just pop the CD into your player and you've got a well designed set of music to go behind your cable access/government access cable channel.

More details as they become available.

Also coming "real soon now" - a free demo track of some of the music that will be available.

The music DOES matter.......

I've been perusing government access channels in some of my recent travels, and have noticed quite a few things that pertain to GovAccessMusic.com's target audience. As I flip around the dial, i try to view the channel as if I was a resident of the area instead of just someone traveling through.

1. Having no music at all is boring. I flipped away from a residential area channel that had no audio at all, even though the pictures that were showing of a recent event were nice.



2. Having bad music is even worse. Once educational access channel I watched for a while had music that was VERY badly recorded - and was even distorting on top of that. No one with any ears at all was going to watch their content for very long.



3. The music had a direct affect on my perception of the quality of the information being presented. Bad music meant the station staff either didn't care about the presentation as a whole (so why should I believe or pay attention to the information?), OR they were incompetent and didn't know any better (so why should I believe the information?).


So if you are managing an access channel of some kind, PLEASE pay attention to the music you use. You'll be able to pick up some quality tracks from GovAccessMusic.com before long!